Death of Cleopatra, now at the Smithsonian, was crafted by Edmonia Lewis for the 1876 World's Fair. It traveled to Chicago for the Chicago Interstate Industrial Exposition of 1878 where it then ended up at a saloon on Clark Street in Chicago. "Blind John" Condon, owner of the Harlem Racetrack, acquired it as a monument to mark the grave of his favorite horse, Cleopatra.

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In front of the grandstand of the Harlem Racetrack – the present-day Forest Park Mall on Roosevelt Road and Desplaines Avenue – stood a tribute to an Egyptian queen, sculpted by Edmonia Lewis: “The Death of Cleopatra.” 

Mary Edmonia Lewis sculpted “Death of Cleopatra” for the 1876 Philadelphia Centennial Exhibition, the first official World’s Fair in the United States, which celebrated the centennial of the signing of the Declaration of Independence. The 5¼ foot marble statue features the African queen at the moment of her death, allegedly from the fatal bite of a venomous asp. The statue was sculpted only a decade after the end of slavery, marked by the close of the Civil War, during the period when “Reconstruction” was failing.  

The two-ton statue came to Chicago and was displayed at the Chicago Interstate Industrial Exposition of 1878 and then later was located outside a saloon on Clark Street in Chicago. From there it was purchased by “Blind John” Condon, owner of the Harlem Racetrack, as a monument to mark the grave of his favorite horse, Cleopatra.  

“The Death of Cleopatra” endured hardships – including being painted by Boy Scouts and later scrapped in a salvage yard before it was found in the 1980s. Forest Park Historical Society Director Frank Orland, in conjunction with Forest Park’s Conservation of Sculpture and Objects studio director, Andrezej Dajnowski, and the Smithsonian, restored it to its near-original state after repairing the nose, sandals, hands, chin, and other damaged areas. It is now on display at the Smithsonian Institute in Washington D.C.

Edmonia Lewis, Cleopatra’s creator, was the daughter of an Ojibway woman and a Haitian father. She was the first woman of African American and Native American heritage to achieve international fame as a sculptor. Her work includes themes relating to black people and indigenous people of the Americas in Neoclassical style.   

 And for many years, Forest Park was home to her greatest work.